Karol Kochanowski 

Manchester, UK

Life In Sourdough
Life In Sourdough

2021 oil on canvas 150 x 120 cm £9000

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Things Boys Want To Know
Things Boys Want To Know

2021 oil on canvas 60 x 50 cm £2000

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“...I am disabled by fears, concerning which course to take…”
“...I am disabled by fears, concerning which course to take…”

2021 oil on canvas 60 x 50cm £2000

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Four Of Them
Four Of Them

2021 oil on canvas 150 x 120 cm £9000

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The Ultimate Nirvana Of An Earthworm
The Ultimate Nirvana Of An Earthworm

2021 mixed media on canvas 60 x 50 cm £1500

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The Advent Of Ure
The Advent Of Ure

2021 oil on canvas 60 x 50 cm £2000

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The Librarian
The Librarian

2021 oil on canvas 150 x 120 cm £9000

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Dolphin Adele
Dolphin Adele

2021 oil on canvas 60 x 50 cm £2000

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Delirium Box
Delirium Box

2021 oil on canvas 150 x 120 cm £8000

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Perfectly Normal Phenomenon
Perfectly Normal Phenomenon

2021 oil on canvas 150 x 120 cm £8000

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9 Beings
9 Beings

2021 oil on canvas 150 x 120 cm £9000

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air
air

Oil on board, 2018 20 x 31cm £768

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us
us

Oil on board, 2018 20 x 31cm £768

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golden
golden

Oil on board, 2018 20 x 31cm £768

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17.06
17.06

Oil on board, 2017 20 x 31cm £768

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A Thin Husk
A Thin Husk

Oil on board, 2018 20 x 30cm £740

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Slice of
Slice of

Oil on board, 2018 20 x 30cm £740

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17-10
17-10

Oil on board, 2018 20 x 30cm £740

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diagram
diagram

Oil on board, 2017 SOLD

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About the Artist

Born in Poland in 1986, currently living and working in Manchester, UK Karol Kochanowski is a multidisciplinary artist working mainly with oil paint. He raduated in 2013, from Manchester Metropolitan University in Fine Art (BA).

 

Winner of Ken Billany Prize 2013 and Manchester Open Award: Granada Foundation Gallery exhibition winner 2020

 

His works had been exhibited internationally, included London, New York, Berlin, Raleigh (North Carolina) and Manchester.

Karol's work is semi-abstract and non-representational in style. Light floating forms hang within an open space, punctuated and anchored by graphic, partly-geometric elements. These are poetic depictions of emotional landscapes in which chaos, logic and self-destruction co-habit, in clashing and discordant harmony which describes the fragile and painful yet curiously beautiful way in which an unsettled mind makes sense of the world. He approaches his painting in an instinctively haphazard way. It is always an intrepid journey without a map and arrival at the final destination is always something of a surprise. In a sense, the genesis, gestation and gentle nurturing of the process interests him more than the end product.

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