JEANNIE MILLS PWERLE (b. 1965)

Jeannie Mills Petyarre enjoys participating in women’s awelye ceremonies and has traditional bush
skills. She comes from a prestigious family of artists at Utopia. Her grandmother was the famous Emily
Kngwarreye and her uncle Greeny Purvis. She has a unique, contemporary style and her work has been
chosen for the National Aboriginal and Torres Strait Islander Art Award exhibition. She paints her
traditional country of Irrweltye / Atwengerrp for which she is a custodian and women’s awelye body
painting designs. Her Dreamings are for Anaty (Bush Potato / Desert Yam), Anemangkerr (Bush
Melon), and Akarley (Wild Orange). The fine dots upon her paintings are mesmerizing and her
colourful contemporary artworks are much sought after. Her paintings are in private and public
international collections.

In her painting, Anaty Desert Yam Dreaming, Jeannie depicts various aspects of her Anaty Desert Yam Dreaming including the seeds, underground tubers and trumpet-shaped flowers. It is an important staple food source as it can be harvested at any time of the year.


Utopia is a remote Aboriginal outstation in the semi-arid centre of Australia, approximately 300 kilometres
northeast of Alice Springs, where sixteen small, family-based Anmatyerre and Alyawarre language-speaking
communities live on 3500 kilometres of land. In the 1920s, two British settlers took the land by force from
their ancestors, made it a cattle station, and called it Utopia because of the abundance of rabbits, an
environmentally disastrous introduced animal. In 1978, Utopia became the first Aboriginal outstation in Australia
to have a successful Land Rights claim.
Aboriginal Australians have the longest, land-based culture in the world, over 65,000 years, and are
custodians for specific places that they call ‘country’. Their oral culture holds extraordinary ecological
knowledge and experiential wisdom that the people continue to pass on to new generations. They have long
drawn patterns in the sand and painted patterns on their bodies with ochres during separate ritual men’s and women’s ceremonies.
The women of Utopia come together for awelye ceremonies to re-animate the land, ensure perpetuation of plant and animal species, and for the people's health and happiness. Over many days and nights, they ‘sing up’
country, ‘paint up’ their bodies with ochre designs, do ritual dances, and tell Dreaming stories to
new generations of young girls.
The contemporary Aboriginal art movement is very recent. In 1977, many of the Utopia women
participated in a batik workshop, and even though it was a labour-intensive process, it became a
popular communal activity. They used small tjanting tools and hot wax melted on open fires while
collecting bush tucker. When acrylic paints were distributed at Utopia in 1988, the medium became
more popular because they were an easier and more versatile medium to use. It is still women who
primarily paint at Utopia and they depict their Dreamings and women’s awelye body painting
designs.



© Copyright Dr. Victoria King 2023.