Jamie Frost

Mon bébé, elle m'a écrit une lettre
Sycamore and High Impact Polystyrene
39 x 107 x 49 cm
£950

photo @blackhillcreative
Monocoque I
Wood and High Impact Polystyrene
SOLD
Voice of Reason
Black Walnut and Lime
approx 41x25x20cm (HxWxL)
£1200
Voice of Reason
Black Walnut and Lime
£1200
Off For A Huffing
Ekke and Oak
approx 38x24x14cm (HxWxL)
£1200
Off For A Huffing
Ekke and Oak
£1200
Unformed Substance
Lime and Sapele
approx 51x16x20cm (HxWxL)
£900
Fukinagashi
Wood
approx 65x40x83cm
£1500
Fukinagashi
Wood
approx 65x40x83cm
£1500
Tissue of Lies I
Ink and watercolour on paper
41x48cm framed
£350
Tissue of Lies III
Ink and watercolour on paper
41x48cm framed
£350
Tissue of Lies V
Ink and watercolour on paper
48x41cm framed
£350
Tissue of Lies VII
Ink and watercolour on paper
41x48cm framed
£350
I dont know why she swallowed a fly
Oak
approx 180x100x110cm
£16000
I dont know why she swallowed a fly
(detail)
Oak
£16000
Ascent of Man
Black Walnut
20x28x5cm
£900
Random Acts
Black walnut, ramin and ash
25x16x7cm
£600
Alpha
Ceramic and oil paint on wooden base
30x33x15cm
£400
A Gentle Man
Ceramic and oil paint on wooden base
25x23x12cm
£250
Sakura
Ekki wood
SOLD
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About the Artist

Jamie Frost MRSS is a sculptor and draughtsman who grew up in Yorkshire’s ‘sculpture triangle’. Noted for his portraiture and figurative drawings, he is an award-winning artist who has exhibited internationally and across the UK. He works with live models, drawing inspiration from numerous sources to produce sculpture in wood and other materials.

"The words we use with trees: limb; heartwood; trunk, are the language of bodies. The smell, warmth, weight, moisture, the sounds, are analogous with human flesh. They are heady and visceral. These sensory qualities heighten my relationship with the work and I see no reason to suppress this. I wish you to experience it. I love the qualities of wood when it is worked viciously; split, cleaved, dented and splintered, particularly alongside delicate sculpted forms. It's a material of superb contrasts which can also be shaped with tenderness, revealing it's vulnerability."

 

Whilst the works rarely have an explicit narrative, they develop with a strong sense of emotional content, reflecting shared human experiences and social concerns. We rely on muscle memory to perform actions. Perhaps it follows that a certain amount of emotional memory might be required in the making and viewing of art, to draw upon a recollection of things felt.

© 2020 by Saul Hay Fine Art
Manchester, UK
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